Thursday, January 28, 2010


Today, I bound a hard cover book.  It was exciting.  I will try to properly photograph it tomorrow and write a bit about it for you guys, whoever you are.

Monday, January 18, 2010

Photo Transfer Fun!

8" x 5.5"

I'm working on my third project in Book Arts/Letter press.  I'm not going to reveal just yet what the theme of the book is, but the project is to create a book from found objects.  I'm using photos from magazines.  This is the back cover of the book.  I created it by xeroxing a photo from a magazine, then I coated water color paper with soft gel gloss, and then rubbed the photocopy onto the water color paper to transfer the black ink.  Then I painted the entire thing with water colors just to give it some color.  I really like how it turned out and now I think I'm going to have to create a new front cover so it will match.

This is a technique that I'm glad I tried out because I'd love to use it in the future again sometime, and I have plenty of gloss medium left.

Sunday, January 17, 2010

New Longterm Goal: Cookbook

As I was looking through papers in the studio yesterday, I found an assignment sheet for the senior portfolio preparation class.  One of the ideas that was listed was to design a cookbook.  Since I am very interested in cuisine, I decided this would be a great idea for me.

I went home to cook last night for my mom and made:
Seared pork chops with a red wine cherry glaze
Garlic and red pepper collard greens
Creamy Mashed sweet potatoes

I wasn't happy with the lighting, and I think that I want to focus on one food item, rather than a plated dinner.

Like I said, this is a longterm goal, one I'd like to finish by the beginning of senior year.  I thought 12 recipes would be a good number, but it could easily end up being more.  I think I will be able to get a lot done this summer.

I think the hardest part of this project for me is going to be creating recipes, since I don't cook from a recipe, I just make it up as I go along.  I usually decide what to make based on what is available in the kitchen or what looks good in the store.

I don't use measurements, I just add what I think would be best.  Obviously for a cookbook, I'll have to create some more exact directions.  The purpose of this project for me is not recipes however, it's designing a product, a cook book.

Friday, January 15, 2010

First Complete Typeface

11" x 17"

I finally finished my typeface!  This is the poster I made advertising the typeface.  It has a complete type specimen included in it.  I decided to name it Circuit Breaker, which has that electric sound to it, and is also the name of one of the band's songs.  The Band I was inspired by for this was Royksopp.

Here is the poster I made originally with the lettering I created for it:

I created only these 7 letters when making my poster, and then later decided I should complete the entire alphabet.  All of these had to change slightly because when you're creating a typeface, it is different than just some lettering.  It has to be at least somewhat legible in text form in many different words.  While the letters I created for the poster look okay as a logo, they didn't work in a font.  It was a long process, but I am happy with the result.

Monday, January 11, 2010

Winter Session // Project 1

This winter session, I am taking ART309: Book Arts & Letter Press Printing.

In this course, we learn binding and bookmaking techniques as well as how to print with lead and wood movable type with various kinds of Printing presses.

The first project we were assigned was a postcard made using the letterpress that displays "information systems".  That's about as much instruction as we got.  Everyone had a different idea of what kind of information to display.  Someone used phone-numbers, someone used words as a pattern that emphasised an idea, several people used a quote or poetry.  Some people are just using letters or numbers as patterns.  It is pretty open ended.

I started by trying many different types of information, but settled on displaying a fact.  Twitter became a useful resource for this project.  One of the accounts I follow is @OMGfacts, which displays many interesting, usually unknown facts.  The one I settled on is:

My best idea in sketch form was using black periods, commas, and various punctuation marks as black "spots" as a background, and then incorporating the fact in as smaller text.

Another stipulation of the project was that we do at 2 "runs".  A "run" refers to each time you "run" your paper through the press.  This allows for different colors, or overlapping text.

6" x 4"

Fonts used:
Stymie Light 10, 12, 14 pt
Huxley Vertical 14 pt

After I had already finished, she mentioned that we should try to incorporate our name into the design somewhere.  This would have been easier had I known it ahead of time, but I decided to do a third run using the "blind emboss" method, which just means run the lead type through the press without applying ink to it.  It indents the text into the paper without applying color.  This way, it doesn't really take away from the design too much.  It's pretty hard to see on screen, even after I darkened up the contrast on that area, but it is perfectly legible in person.

The last step was to number the edition.  We did an edition of 20 postcards (everyone made 35 to allow for mistakes).  Each person in the class will receive a copy of everyone's postcard, and Special Collections in the UD Library will own an edition as well.

What was really fun about this project was using the printing press.  There are a total of 5 presses in Raven Press, and 3 different types.  We have 3 Vandercooks, one proofing press, and one that I don't know the name of.

This is the Vandercook:

It is an electric press that has moving rollers so you don't need to continually apply ink to the type.  You have to insert one sheet of paper at a time, and then hand crank the roller with your hand to run it through the press.  The nice thing about this press is that the type is applied to the same exact spot on the paper each time, and if you charge the ink correctly, the perfect amount of ink is applied to the page every time.

I used this press for my 1st run (the spots).  Unfortunately, there were issues later on and I had to use the proofing press for my second run.

There is nothing wrong with this press, it is just a little slower going.  It also achieves less perfect results. The way it works is you lay your type down, roll a brayer (a rubber paint roller) in your ink, then roll it over the type.  Then you place your paper on top of the the type, and slide the roller on the press over the paper, which presses the ink into it.  This obviously takes a lot of coordination since you are laying the paper on top of the type each time.  It is a little difficult to make sure it is in the correct spot each time, which is why we ran more than just 20 copies.  Also, since you are applying ink by hand each time, it is more common than not to have too much ink.  This can create some problems.

I also used the the proofing press for my name, but this was by choice, because I thought it worked better for blind emboss.

The most time consuming part of this project is setting the type.  Each character including spaces is a separate piece of lead that you have to pick out and place.  You also have to then put each piece back when you are finished.

Still, it was fun.